Chad, here is the show we would build with you.
A first draft, made from your answers. Use the black bar to jump to any part. Tap a picture to make it bigger, and tap any dotted word to see what it means.
We will call you before then to confirm. Please pick up.
“I am building a Music and Entertainment conglomerate in Las Vegas. We have all the elements of reality tv and hit tv shows here in Las Vegas”
What you want to be known for, in your words.
Your showThe show
“King of Las Vegas”
The logline
A Las Vegas mogul builds a music and entertainment company in the entertainment capital of the world, with his artists, his team and the city on camera.
You told us you are building a music and entertainment conglomerate in Las Vegas, and that the city already has everything a hit show needs. We agree. Jay-Z and Birdman, the two people you named, did not get known for one record. People knew the man and the company around him. So season one is not an ad for a release. It lets people know you, your roster and what you are building, so that when you sell something they already trust who it is from.
Working title. Two others we like: “The Voltron Group” · “Mogul”. You pick.
Shows like it
So you can picture it. These are shows that already exist. Yours is the same idea, made for the phone and owned by you.
- HBOThe Defiant Ones
Two men build a music empire, told as a story about people. That is the level.
- VH1Love & Hip Hop
Artists, relationships and business in one city, week after week. Yours is Las Vegas.
- WE tvGrowing Up Hip Hop
Family and the music business on camera together.
- StarzPower
You named it. Scripted, but the look is the lesson: dark, expensive, high stakes.
How the show makes money
Left to right: each step is for the people who wanted more than the one before it.
- 1The show
Free to watch. This is where they find you.
Free - 2Your list
They leave an email or a number to get episodes first.
Free - 3The Inner Circle
A monthly membership for the people who want more.
$19 a month - 4Records and merch
Music from the roster, shirts and hats.
$15 to $60 - 5Live nights and bookings
Ticketed nights in Las Vegas and artists booked for events.
$2,500 and up - 6Your high-ticket offer
The premium one: brand sponsorships of the show, or developing and releasing an artist through your company.
Set with you
Example steps and example prices. We are not affiliated with the shows named above. We set the real offers with you.
The look
You said the people doing it best are Jay-Z and Brian “Birdman” Williams. We studied how they present themselves and built toward that level. Brands you love the look of: the Power TV series, Mercedes, Future and Rick Ross. The feel you picked: Clean and expensive. Your demo site uses that, so tell us where we got it wrong.
Your partnersYour partners
Ten names we would put next to yours.
People judge you by who you are seen with. These are ten partners for someone in your field. Some are accounts we set up and verify for you. Some we have to pitch.
- DistroKid
- Spotify for Artists
- Apple Music for Artists
- ASCAP or BMI
- SoundExchange
- Bandsintown
- Printful
- Eventbrite
- Las Vegas Weekly
- Power 88 (KCEP 88.1 FM)
- DistributionDistroKid
Your songs on Spotify, Apple Music, Amazon, TikTok and YouTube Music, under your own name.
We set this up - Verified profileSpotify for Artists
A verified artist page with your photo, your story and your numbers.
We set this up - Verified profileApple Music for Artists
The same on Apple: a claimed artist page people can trust.
We set this up - RoyaltiesASCAP or BMI
The organizations that collect your money when your songs are played. Being registered says you are a professional.
We set this up - RoyaltiesSoundExchange
Collects what streaming radio owes you. Most independent artists never claim it.
We set this up - Live showsBandsintown
Your dates sent to every fan near the venue, on the app venues and bookers check.
We set this up - MerchPrintful
Shirts, hoodies and posters printed and shipped one at a time, so there is no stock to buy.
We set this up - TicketsEventbrite
Ticketed listening parties and shows, with the buyer list going to you.
We set this up - PressLas Vegas Weekly
The city's entertainment weekly. A feature here is what venues, promoters and brands in town read.
We pitch this - RadioPower 88 (KCEP 88.1 FM)
Las Vegas community radio for hip-hop and R&B. Airplay and an interview at home come first.
We pitch this
These are the partners we would go after, chosen from your answers. We are not affiliated with them, and the ones we pitch are not yours until they say yes. On the call, tell us who you would add.
How your show worksCause and effect
What we do, and what each step is built to cause.
Seven steps, left to right. On the left is the work. On the right is what it is there to make happen.
We sit down and pull out your story
Recorded story sessions. We find the moments people need to hear and put them in the right order.
- The King of Las Vegas
- The roster
- What it cost
- The business
- The empire
You know exactly what to say on camera
No guessing what to post. Season one, written down, before a camera comes out.
We film it like television
A crew, confessionals, the studio, the city. One shoot day becomes many short clips.
ChadConfessionalStrangers start to feel they know you
They watch you and your roster week after week. By the time a record drops, they are already on your side.
We post every day and put ads behind the best clips
Instagram, TikTok, YouTube and Facebook. Ad money only goes behind clips that are already working, on a budget you approve.
Today
After a season
Your following grows, and every viewer can join your list
A list of names, emails and phone numbers that you own. No platform can take it away.
We put something to buy on your page
We choose the first offers with you and build the page, the prices and the checkout.
Watching turns into income
People who love the show have a way to pay you the same day.
Already built for LV. Her show sends people to Run Club Academy, where they enroll. Open it ↗
Every person who raises a hand lands on one board
A text and an email within minutes, a calendar to book, and a clock on how long they have waited.
Nobody is forgotten, and the business runs while you make the moves
You see every lead and every sale in one place.
Sample names shown. Real leads are private.
We pitch your show to the press
Once episodes are out and the numbers are real, we take your story to the writers, podcasts and local media that cover your field.
- Las Vegas Weekly
- Power 88 (KCEP 88.1 FM)
- Podcasts and writers in your field
People hear about you from someone they already trust
A feature or an interview is proof you can put on your page, in your pitch and in front of partners.
We pitch your show to networks
With a finished season, an audience and press behind you, we package the show and pitch it to networks, streamers and production companies.
- Your sizzle reel
- Season one, finished
- Your views and your list
- Your partners and press
A real shot at a bigger screen
You walk in with a season already made and numbers to show, so you are not asking anyone for permission.
We make the pitch. Whether a network says yes is their decision.
This shows how the work is designed to lead to results. What you have at day 90, and the two things we guarantee, is further down.
Your five episodesSeason one
Five episodes, in the order people need to hear them.
Season one is at least five episodes, three to ten minutes each, made for social media. Every episode is also cut into short clips. We do not know your story yet, so each tile is the question that episode answers. You fill in the truth.
- 01The King of Las Vegas
Who you are and why this city. You take us through your Las Vegas, the one visitors never see.
- 02The roster
The artists and people you are building. A studio session, a release day, and what you see in each of them.
- 03What it cost
The hard part, told plainly: what you walked through to get here. This is the episode people share.
- 04The business
A real week running the company: the deals, the shows, the releases, the podcast, the money decisions.
- 05The empire
What you are building under the music, what people can join, buy or book, and the set-up for season two.
Your siteYour demo site
This is where your audience would land.
A page for the show with sample clips, the episode guide, and three ways for people to pay you.
Where the money comes in. A show with nothing to buy is a hobby. The demo shows three example offers. On the call we pick the real ones.
Sample opening lines for your first clips:
- “Everybody comes to Las Vegas to get famous. I am building the company that makes them.”
- “You know the Strip. You do not know who is running the music here.”
- “Jay-Z had Brooklyn. Birdman had New Orleans. This is Las Vegas.”
Your first 14 daysFirst · days 1 to 14
A 14-day working period, before the 90 days start.
Two weeks of real work together, so we both know it is a good match before anyone commits to a season.
A domain and an email on your name, every social account set up the same way, and your directory listings. Done with you, owned by you.
We walk you through how attention turns into a business: the ladder, why story comes first, and why there has to be something to buy.
The first story sessions, so by day 14 you can see the first episodes on paper.
You see how we work, we see how you are on camera and on deadlines. Two weeks is enough to know.
Day 14: we both decide. If it is a match, the 90 days begin. How the 14 days work ↗ The agreement ↗
Your 90 daysThen · the 90 days
You said you want to start within 90 days. Here is what they hold.
- Story sessions: the five episodes
- Shoot days booked and filmed
- Your show page and link in bio go up
So that: you have real episodes in hand and a place to send people.
- Clips posted every day
- Ads behind the clips that work, on a budget you approve
- Weekly numbers sent to you
So that: new people find you daily and join a list you own.
- Your high-ticket offer chosen with you
- Webinar or sales video produced
- The funnel: pages, checkout, calendar
- Follow-up for everyone who raised a hand
So that: the audience has a way to pay you, and season two has a budget.
What you getDay 90 · the results
What you have when the 90 days are done.
Whatever your field is, these are the same. Two of them we guarantee in writing.
Every view counts, on every platform, inside the 90 days. If we are short on day 90, we keep producing and posting, at no extra production fee, until you pass a million.
At least five finished episodes, three to ten minutes each, made for social media. Filmed, edited and published inside the 90 days.
A premium product or service under your name, with the pages that lead to it, its price and a way to pay. Whatever your field is, there is one.
A fully produced webinar or sales video that sells your key product or service for you, day and night.
Ten people booked on your calendar to talk about buying. If ads and traffic from the show do not get you there, we set up the meetings by hand, up to ten.
Names and companies already respected in your field, attached to you and your show. That is instant credibility.
Your show and your high-end offer placed in front of your partners' audiences and the companies that buy what you do.
Also in your hands by day 90
- A library of short clips cut from every episode, captioned
- A short film of your story
- Your own show site and link in bio
- An email and text list that you own
- A sizzle reel to send to brands and partners
- A one-page media kit with your numbers
- Photos from set for press and profiles
- Your Mission Control board: every lead in one place
- Follow-up by email and text that runs itself
- A sales page and checkout that take money while you sleep
- The plan for season two
Both guarantees are written into our Terms, Section 9. The view guarantee counts every view a platform reports, from posts and from ads. The booked-call guarantee applies when you have a product or service to sell. We do not guarantee income, sales or follower counts: those depend on your story, your offer and the work you put in on camera. You picked a budget range of $10,000 to $25,000; on the call we size season one to fit it and tell you plainly what that range does and does not cover. Ad spend is separate and only runs on a budget you approve.
Our proofProof
Work we have already put on camera.
Tap any clip to play it here. The links open the real sites and profiles in a new tab.
Past and current projects of our team, shown as examples of the work. They are not endorsements, and not a promise that you will get the same outcome.
Your callFor the call
What to bring.
- Three moments from building the company that you already know belong in the show.
- Links to the music, the podcast, and each artist on your roster.
- The footage you already have. You said you have video, so bring your best five minutes.
- Who else should be on camera: your artists, your team, your family.
- What you sell today, and what you want people to do after they watch: stream, come to a show, book an artist, or work with the company.
Want to read it first? The agreement ↗